Friday, November 3, 2017

British study

Baca Juga

British study


  1. Dress codes how does fashion reflect the British character?
  2. Nostalgia and modernity tradition and creativity are in conflict (in Britain). Give examples from the next support this view.
  3. Urban sub-cultures why do young people join sub-cultures? What sub-cultures exist in your own country?
  4. The culture of sport in what ways has the character of football as a national sport changed in the last 40 years?
  5. The arts why are many of the best British theatrical productions to be found in the smallest theatres?
  6. Culture for the community what, if anything, strikes you as distinctive about artistic life in Britain?
  7. British society is strongly individualistic. Find examples of the ways in which this individualism is expressed in the following areas; dress; urban sub-cultures; the theatre; and voluntary activities.
  8. The national lottery provides much-needed financial help to many ‘good causes’ . should one, therefore, be concerned by the claim that it encourages personal greed and gambling habit ?.
Answer :
  1. The majority of British people dress conservatively rather than fashionably. A small number of the upper and professional upper middle class, for example barristers, diplomats, army officers and conservative MPs dress in the well-tried styles of the past 50 year or so . they wear the clothes of the British middle classes, perfectly passable but hardly stylish like the dress standards in much of Europe.
  2. The widespread love of the country-cottage look, and the old –fashioned dress style of the upper class. Say much about the way the British perceive themselves. because the past is glorious for the British The culture of tradition was expressed in emblems such as the telephone box, tall policeman’s  helmet and red London bus, these symbols were unique.
  3. Because rejected the English country cottage culture in popular urban culture, some remained deeply dissatisfied with their place in society. In my country sub-cultures exist about music, people like punks, rockers.
  4. The character of football ( and other national sports) began to change . a fundamental reason was financial, as match attendances dropped, clubs sought external help from sponsorship and advertising. Commercial companies  found this profitable, for example Cornhill insurance began to sponsor English.
  5. British theatre is among the liveliest and most innovative in the world. Some would argue that the quality of theatre is a good register of a country democratic values.
  6. Sound of classical music, and some of the finest acting in the world. but for artistic vitality one may be more successful in a fringe theatre or pub.
The Art Of The Story

The rain beat upon the low, shingled roof with a force and clatter thatthreatened to break an entrance and deluge them there. They were in thedining room -- the sitting room -- the general utility room. 
Because :defamiliarizations analysis of rainfall and storms, the sound of thunder.

The rain was coming down in sheets obscuring the view of faroff cabins and enveloping the distant wood in a gray mist. The playing of the lightning was incessant.
Because :defamiliarizations analysis of rainfall and storms, the sound of thunder
A bolt struck a tall chinaberry tree at theedge of the field. It filled all visible space with a blinding glare and thecrash seemed to invade the very boards they stood upon.
Because :defamiliarizations analysisthere is lightning storm strikes
The rain beat upon the low, shingled roof with a force and clatter that threatened to break an entrance and deluge them there.
Because :defamiliarizations analysis there are storm winds and rain coming
blue eyes had given place to a drowsy gleam that unconsciously betrayeda sensuous desire.
Because :defamiliarizations analysisinterested when looking at and making sensual desire
If she was notan immaculate dove in those days, she was still inviolate; a passionatecreature whose very defenselessness had made her defense, againstwhich his honor forbade him to prevail. Now -- well, now -- her lipsseemed in a manner free to be tasted, as well as her round, white throatand her whiter breasts.
Because :defamiliarizations analysiscalixta resigned kissed and in jest
They did not heed the crashing torrents, and the roar of the elementsmade her laugh as she lay in his arms. 
She was a revelation in that dim,mysterious chamber; as white as the couch she lay upon. Her firm, elasticflesh that was knowing for the first time its birthright, was like a creamylily that the sun invites to contribute its breath and perfume to theundying life of the world.
Because :defamiliarizations analysissexual intercourse
The generous abundance of her passion, without guile or trickery, waslike a white flame which penetrated and found response in depths of hisown sensuous nature that had never yet been reached.
When he touched her breasts they gave themselves up in quiveringecstasy, inviting his lips.
Because :defamiliarizations analysissexual intercourse.
It shook the wooden store and swwmwd to be ripping great furrows in the distance field
Because ;defamiliarizations analysis storm was not rip and not real in fact
They did not heed the crashing torrents, and the roar of the elements made her laugh as she lay his arms
Because ; defamiliarizations analysis connotation roar is not real and elements statement to is not fact in live.

Sumber : Gupit A. SPA
Editor   : Admin Coretan Mahasiswa



 

Analysis of "The More the Merrier" by Stanley Kauffmann

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Analysis of "The More the Merrier" by Stanley Kauffmann

1.      a.  The More the Merrier begins with the two main characters Emily Stringer and Raphael Thumbs.
b.  Raphael is kneeling for the seated Emily , anxiously awaiting a answer to the question he has just asked about marriage. Raphael and Emily kissing, he gets to his feet, leans over her, and kiss her again. Professing their love to each other and agreeing to marry. They were so enamored to one another that Raphael wanted the wedding to take place immediately that night or the following day but to which Emily countered because it was so soon. She still had to shop for a trousseau and the banns (declarations made in church) that take three weeks to complete.
c.  they want wonderful new life , cut off from everyone else. In this conversation do they reveal about love and marriage,
Emily     : It will be as if we were born again.
Raphael : No old ties?
Emily     : No old ties, no old bonds. you and i together, apart from the world.
Raphael : Oh ( Clasping her hand ) oh, if you only knew how wonderful that sounds.
I have often thought to myself, "Raphael Thumb, you must make a fresh start. You are
slipping. You must cut  loose from the past. You must take a fresh grip. " Our marriage
will be that fresh grip, dear.
2.      a. Simon Latchflake is Raphael's best friend
b. The doorbell rings. it has a really hideous sound . After Raphael open the door, Simon enter. The door is shut behind him.
c. Simon interest in interrupting the conversation between Raphael and Emily because, he is know Emily.
3.      a. With Raphael gone from the scene, Simon then tried to persuade Emily to marry him instead because he too was sick of his old life and now wanted to settle down. Emily then retorted, No thank you. I'll marry the man i love, the man who loves me. That's Raphael.
b. Because this is conflict about Emily and Simon, the writer want to tell about conflict in this story. How Simon want to be marriage with Emily.
4.      a. The attitude toward marriage expressed by Vesta similar to the attitude of Simon. Vesta sort of tired of the old life, she want to turn over new leaf. They tired and want to settle down with marriage.
b. Vesta want to be marriage with Simon and Simon still want to be marriage with Emily. 
5.      a. The language spoken by the characters in the drama is the language of romance and the language of the youth (term). This scene about language of romance,
Raphael : Darling! (He embraces her. They kiss) Darling!.
Emily     : Sweetheart! (They kiss again) Dear, you’d better get up. It’s hard to kiss you, leaning over like this..
Raphael : Sorry, Honeybunch. (He gets to his feet, leans over her, and kisses her again) How wonderful. How delicious. How unbelievable. 
Raphael : Oh ( Clasping her hand ) oh, if you only knew how wonderful that sounds.
I have often thought to myself, "Raphael Thumb, you must make a fresh start. You are
slipping. You must cut  loose from the past. You must take a fresh grip. " Our marriage
will be that fresh grip, dear.
The term youth term in expressing a call to the lover. This scene about language of the  youth (term),
Emily      : Sweetiekins..
Raphael : Honey lamb. 
Emily    : (Hugging him) Sweetist Babykins!
Raphael : Angelest!
Emily    : Ducky diddle!
A hyperbole is a type of figurative language. Therefore, a hyperbole is not meant to be taken literally. A hyperbole is an overstatement that exaggerates a particular condition for emphasis. This scene about hyperbole,
Raphael : Sorry, Honeybunch. (He gets to his feet, leans over her, and kisses her again) How wonderful. How delicious. How unbelievable.
Raphael : Oh ( Clasping her hand ) oh, if you only knew how wonderful that sounds.
I have often thought to myself, "Raphael Thumb, you must make a fresh start. You are
slipping. You must cut  loose from the past. You must take a fresh grip. " Our marriage
will be that fresh grip, dear.

b. Hug and kiss they use to indicate their affection. This scene about their affection,
Raphael : Darling! (He embraces her. They kiss) Darling!.
Emily     : Sweetheart! (They kiss again) Dear, you’d better get up. It’s hard to kiss you, leaning over like this..

Emily    : (Hugging him) Sweetist Babykins!

Raphael : Angelest!
Emily    : Ducky diddle! (Right. Another kiss)

6.      The two main characters Emily Stringer and Raphael Thumbs professing their love to each other and agreeing to marry. They were so enamored to one another that Raphael wanted the wedding to take place immediately that night or the following day but to which Emily countered because it was so soon. Simon Latchflake in Emily's doorstep and the turned out that Simon was once engaged to Emily and was coincidentally, Raphael's best friend. Simon then wreaked havoc by maligning Emily's reputation. He urged Raphael that Emily was not fit for him because she had so many friends and was knotted to thousands of people. This was contrary to Raphael's idea of marriage as secluding one's self from the rest of the world. With this realization, Raphael began to have second thoughts and exited with Simon's cigar to rethink things over. (Raphael character turned to hesitate to marry Emily).
The other, Virginia vetborough in the outside, Emily, Simon won't open the door. Vesta say to lock out the past. it's only our chance. Simon suggestion to a locked door across our lives, separating us from the past. It's a headstart, small but nevertheless real. We must capitalize it. You take Emily that way, Vesta and i will go this way, and may we never meet again.
(This suggestion make change character Simon and Raphael. Raphael back again with Emily.)

7.      This is a good story about the dramatist character and attitude of marriage, here the author is very serious with the conflict, Simon as a former fiancée of Emily in the accidental encounter. then Vesta who wants to marry Simon and turns out to be a former fiancé from Raphael. here love is tested with doubt, this story is very interesting.
8.      Because in the playback ends with a conversation of Virginia and Arthur after the main character has left the stage. conjure stories and conflicts into marriage. Here the writer tell they know each other easily to close. And their many friends to be the closing on this conversation. 
9.      Thema : "The More the Merrier" begins with the two main characters Emily Stringer and Raphael Thumbs professing their love to each other and agreeing to marry. They were so enamored to one another that Raphael wanted the wedding to take place immediately that night or the following day but to which Emily countered because it was so soon.
10.  My opinion about the marriage concept is they story is very interesting, romantic story, and explains that marriage can happen easily if mutual love. this story there is also a western culture, who know each other many friends. there is also Simon who bored his past, every week there is a new woman in his life. here I think the author also gives a little humor with the conflict Emily, Raphael, Simon and Vesta.

Sumber  : Gupit Adiyati SPA
Editor     : Admin Coretan Mahasiswa


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